{"id":2937,"date":"2022-04-03T15:05:04","date_gmt":"2022-04-03T13:05:04","guid":{"rendered":"https:\/\/daguetbresson.art\/?page_id=2937"},"modified":"2026-10-05T15:20:06","modified_gmt":"2026-10-05T13:20:06","slug":"presentation","status":"publish","type":"page","link":"https:\/\/daguetbresson.art\/en\/presentation\/","title":{"rendered":"Presentation"},"content":{"rendered":"

De L’Art enC\u00e9ramique !<\/h1>\n

Colour, humour, freshness. Aesthetic strength and excellence of execution. The works selected by Florian Daguet Bresson all bear witness to a joie de vivre and a demanding artistic approach that manipulate the senses. An internationally-renowned ceramics expert, Florian Daguet Bresson casts his keen and enthusiastic eye over the art of contemporary ceramics to showcase the very best.<\/p>\n

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\n\t\t\t\t\t\t\t\t\tRead Florian Daguet-Bresson's biography
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\n\t\t\t\t\t\t\t\t\tRead press articles
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Convoquerl’exceptionnel<\/h2>\n

Enthralled by ceramics' ability to unsettle the senses, Florian Daguet Bresson brings to light an art form that has been thrown into turmoil by the arrival of new techniques, scientific discoveries, new materials and new knowledge, provoking unprecedented aesthetic emotions.<\/p>\n

Aux quatre coins du monde, des artistes pr\u00e9curseurs tels que la fran\u00e7aise Claire Lindner, le sud-cor\u00e9en Jongjin Park ou l\u2019am\u00e9ricain Alex Zablocki, repoussent continuellement le champ des possibles. Leurs \u0153uvres
\nsurprennent, captivent, d\u00e9sorientent, trompent l\u2019\u0153il, emportent le spectateur dans un univers o\u00f9 les codes sont boulevers\u00e9s et o\u00f9 la c\u00e9ramique d\u00e9montre son infinie plasticit\u00e9.<\/p>\n

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The ceramic art market<\/h2>\n

Florian Daguet Bresson participe aux grandes foires d\u2019art internationales, conseille et accompagne de
\nnombreux esth\u00e8tes du monde entier dans la constitution et l\u2019enrichissement de leur collection. Entr\u00e9 dans une
\nnouvelle \u00e8re, l\u2019art de la c\u00e9ramique conna\u00eet une ascension spectaculaire sur le march\u00e9 de l\u2019art international.
\nR\u00e9volution technologique et r\u00e9volution esth\u00e9tique suscitent l\u2019envie de nouvelles collections alors que fondations, mus\u00e9es et autres institutions culturelles s\u2019int\u00e9ressent elles aussi de tr\u00e8s pr\u00e8s \u00e0 la r\u00e9invention de cet
\nart. Une r\u00e9volution esth\u00e9tique qui laissera quelques grands noms dans l\u2019histoire de l\u2019art.<\/p>\n

Ceramics for ever,par Norman Rosenthal<\/h2>\n

The world of art is about looking back and looking forward in time. Arguably no flexible art form has quite the perfect potential for surviving into the infinity of time as baked clay-in other words the infinitely rich through all human history art of ceramics, and later when it came to be invented in China, and then by theft came to Europe, the fine related arts of porcelain. Yes of course there are the metallic arts of gold and bronze, not to mention stone, but fired clay has the unique ability to take and hold onto colour and never fade in any way. In the ancient world there were certainly as many paintings on a flat grounds such as wood or woven materials as there are in our own recent time spans, but of those as good as nothing survives, apart from some miraculously preserved frescoes and the funerary portraits of Fayum.<\/p>\n

However there are, whether it is that to the East or West that we look, countless pots and other ceramic forms from every era that have survived without the slightest perceptual change, other than through breakage. The paintings, in the Louvre even by the greatest old masters, do not look exactly as they were when they left the studio, sometimes far from it -the chemistry of colour materials used causes them to change irrevocably. But the Sevres vase or drinking vessel, whether of the eighteenth century, or from the epoch of Art Nouveau, what we can see and love, is exactly as to those who first saw each piece, in all its intense and subtle colour and shape. And even if there is not quite the same sense of fetish that surrounds the name of individual artists that exists about the arts of Western painting and sculpture, the potential in ceramics for self-critical yet playful or deadly serious beauty exists in every age. This includes naturally, perhaps surprisingly for some persons and who might be inclined to declare the arts of ceramics \u201cdead\u201d, equally in our very own times.<\/p>\n

For this exhibition, Florian Daguet-Bresson have assembled for us a remarkable collection of contemporary ceramics from all over the world that too speak of the endless imaginative thrills of colour combined with form. These too now be inevitably preserved in perpetuity thanks to various and complex firing methods \u2013 each the precise legitimate secret of the artist. These mysteries enable extraordinary shapes and subjects to come into being, and, each expressing the unique imagination and fantasy of each artist, who is also equally of course a highly skilled craftsperson. We are able see and have around us, in almost beyond real and intense colour, fantasy architectural model structures, forever burning candles, vases of flowers that will never die, softly coloured tissues in piles that will never soil, mysterious figures and faces. Humour and reflection is everywhere. Above everything there are riots of colour, pattern and original surface invention that like the ceramics of old intended to be taken to an afterlife somewhere or other, that too will all survive, if looked after and enjoyed with care, exactly as they are into something close to eternity.<\/p>\n

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De L’Art enC\u00e9ramique ! Couleur, humour, fra\u00eecheur. Force esth\u00e9tique et excellence d\u2019ex\u00e9cution. Les \u0153uvres s\u00e9lectionn\u00e9es par Florian Daguet Bresson t\u00e9moignent toutes d\u2019une joie de vivre et d\u2019une d\u00e9marche artistique exigeante qui manipulent les sens. Expert en c\u00e9ramique de renomm\u00e9e internationale, Florian Daguet Bresson pose son \u0153il aiguis\u00e9 et enthousiaste sur l\u2019art de la c\u00e9ramique contemporaine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2937","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/pages\/2937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/comments?post=2937"}],"version-history":[{"count":0,"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/pages\/2937\/revisions"}],"wp:attachment":[{"href":"https:\/\/daguetbresson.art\/en\/wp-json\/wp\/v2\/media?parent=2937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}